Darker video filmed by Japanese director Macoto Tezka in Tokyo, 2013.
Taken from the album, The Shape Of Things.
Available from the Official John Foxx Store.
Stylish new ‘Tokyo noir’ video filmed by Japanese movie director Macoto Tezka.
Taken from the album, Evidence.
Available from the Official John Foxx Store.
Here’s a new remix of ‘Blood Diamonds’ by Simple Minds. Available as a digital download on iTunes, Beatport, Amazon . . .
REVIEWS FOR EVIDENCE:
‘Foxx has gone from creative strength to strength. This is probably Foxx’s most superior post-Ultravox LP to date. Benge’s signature technique (using very old analogue equipment to create very modern textures and music) has now gelled completely with Foxx’s songwriting. The production is dynamic, rich and bold. The title track sounds like Joy Division, had the Mancunians continued their experiments with austere sounding synths; ‘Changelings’ is a remix of a Gazelle Twin song replete with new John Carpenter-esque synths and breathy 10cc-style multi-tracked backing vocals, and Foxx takes Pink Floyd’s (now) slightly hackneyed anti-record label diabtribe ‘Have A Cigar’ and turns it into a luxurious bass and bleep electro that wouldn’t sound out of place on DFA. Long may his creative renaissance continue.’ BBC MUSIC
‘Evidence – the third album with Modular Moog-obsessive Ben ‘Benge’ Edwards, ferries the listener to a paranoid, dystopic, late-night city soundtracked by dense, pulsating synths, glacial melodies and ethereal half-sung, half-spoken vocals. Foxx’s creative fires still burn white hot.’ 4/5 MOJO
‘His relationship with young producer Benge has seen Foxx release his best music since the glory days of early Ultravox and debut solo album Metamatic, and Evidence is even more brimful of sci-fi sensuality than last year’s The Shape Of Things. Highlights include the dark house of Matthew Dear collaboration ‘Talk (Beneath Your Dreams)’ and two centre-piece excursions with Brighton electro maverick Gazelle Twin.’ 4/5 UNCUT
‘Foxx’s legacy has come to be revered, with his influence on electronic music recognised by the likes of The Orb and LFO. Evidence, Foxx’s third album in 3 years with The Maths, provides plenty of evidence why. The tracks are crafted and atmospheric and the collaborations serve to anchor the album in the present rather than the past.’ THE WIRE
‘At a time when we are starved of new sounds and sensations, the conceit behind Foxx’s collaboration with Benge—that only analogue instruments would be used—has allowed the pair to conjure up what is in effect an alternative present for electronic pop. The result is an album that sounds as contemporary as anything else that is likely to be released this year.’ ELECTRONIC BEATS
‘Evidence offers 15 tracks of escapist, dreamlike ‘ballads’, glowing with sprawling analogue paranoia and grimy, debased atmospheres. The beauty lies in the music’s simplicity, of which the duo revel effortlessly throughout, as if they couldn’t be having more fun if they tried.’ 8/10 BARCODE
‘Foxx has refreshed his creative music with consistently excellent work in recent years. Lush and romantic, Evidence is the kind of timeless electronic album you can dream inside.’ 8/10 CLASSIC ROCK
‘Another terrific lesson in analogue synth magic.’ 8/10 VICE MAGAZINE
‘It contains some of John Foxx and the Maths’ most adventurous work to date, alongside some of their most accessible. Take the title track. Defiantly modern yet instantly classic, this is moody synthpop heaven. On ‘Have A Cigar’ a tough, sinewy melody is teased out as the prog-rock flab falls away; ‘That Sudden Switch,’ with Xeno and Oaklander, is almost church-like, the choral minimalism of the vocals blending to baroque effect, while ‘Walk’ has the enervating alienation that is characteristic of Foxx’s finest work, casting him as an urban flaneur cruising the modern landscape, dispassionate in dystopia. A collection of possibilties; attractive angles and alternative futures.’ THE QUIETUS
‘John Foxx And The Maths are poets of electronic music and this release remains vibrant throughout its entirety. ‘Evidence’ is an electro classic; uncompromising, beautiful and complete; ‘That Sudden Switch’ and ‘Talk (Beneath Your Dreams’ are darker and Berlin-esque and another grandiose Gazelle Twin collaboration ‘A Falling Star’ is breathtaking.’ ARTROCKER
‘The mood is dark and unsettling as Foxx combines the icy beauty of ‘My Town’ with the eerie ‘Changelings’, featuring the haunting voice of Gazelle Twin.’ 4/5 CLASSIC POP
‘A pulsing electro cover of Pink Floyd’s ‘Have A Cigar’ might be an unexpected (though warming) surprise, but the closing quartet of ‘Shadow Memory’, ‘Walk’, ‘Myriads’ and ‘Only Lovers Left Alive’ sees Foxx and Benge simmering in exquisite fashion.’ 4/5 RECORD COLLECTOR
‘The third album from the cutting edge electro innovator’s adaptable outfit is another classy blend of off-kilter ambient atmospheres, dubbed dreams and general analogue silkiness. Pink Floyd’s ‘Have A Cigar’ gets re-rolled but Foxx’s own compositions exert a compelling fascination.’ 4/5 DAILY MIRROR
‘Rather than treat their analogue synthesizers as museum pieces, John Foxx and his electronic producer partner Benge have cranked their machines into life for a succession of albums of futuristic electronic pop. This Dark Lord Of Synth still wields fearsome power.’
‘Foxx has embraced technology to create something otherworldly, chilling and at times dream-like on an album that hangs together beautifully.’ 4/5 VIVE LE ROCK
‘Subtlety and ambience is the thing here. This garden of seemingly straightforward songs is nothing of the sort; it’s an analogue world of shifting details.’ 4/5 GAY TIMES
‘Lush basslines and dubby synths aplenty inducing a spaced out, slightly experimental but visceral vibe throughout.’ 7/10 FUTURE MUSIC
‘The electronic music godfather still sounds fresh and vital.’ EMUSIC
‘Ever since he started making music John Foxx has always sounded contemporary – and here, more than 35 years on, that remains the case. As a consequence Evidence is a mandatory listen for long time followers of Foxx and electronic music – but also for those new to the form.’ 5/5 DMC WORLD
‘If you already own John Foxx & The Maths’ previous albums Interplay and The Shape of Things then you need this album. If you don’t own those records then you need all three, and what a treat you have coming your way.’ 4/5 THIS IS NOT RETRO
John Foxx And The Maths’s third album Evidence will be released worldwide by Metamatic/Cargo Records on 25th February, 2013. It’s available from Amazon HERE
If you can’t wait, a limited number of copies are available exclusively in advance through the Official John Foxx Store. You can order the album HERE
The tracklisting is as follows:
1 Personal Magnetism
2 Evidence (Featuring The Soft Moon)
3 That Sudden Switch (Featuring Xeno & Oaklander)
4 Talk (Beneath Your Dreams) Featuring Matthew Dear
5 Neon Vertigo
6 Changelings (Featuring Gazelle Twin)
7 My Town
8 Have A Cigar
9 A Falling Star (Featuring Gazelle Twin)
10 Cloud Choreography
11 Shadow Memory
14 Only Lovers Left Alive
15 Talk (I Speak Machine Mix) (Featuring Tara Busch)
The 15-track CD brings together various new collaborations with The Soft Moon (the post-punk psychedelia of the title-track), Gazelle Twin (including the strikingly beautiful ‘Changelings’) , Xeno & Oaklander, Tara Busch and Matthew Dear from the last 18 months; plus a Pink Floyd cover version and some recently recorded Foxx/Benge material. This includes the rich, analogue glow of ‘Walk’ and end-of-the-world ballad ‘Only Lovers Left Alive’. Hannah Peel plays ‘space violin’ on ‘Neon Vertigo’ and ‘ My Town’.
Evidence is arguably their most atmospheric album so far – built around slower, starker beats and lots of space in the music with dreamlike echoes of Massive Attack, dub, Japan, Syd Barrett and Dead Can Dance.
John Foxx And The Maths’ Rhapsody album is now on sale through the Official John Foxx Store. Featuring 10 tracks recorded live at MemeTune studios at the end of 2011, the band line-up is John Foxx (Vocals/Keyboards), Benge (Percussion/Keyboards), Hannah Peel (Keyboards, Violin) and Serafina Steer (Keyboards, Bass).
01. The Good Shadow (Instrumental)
03. He’s A Liquid
04. The Running Man
05. The Shadow Of His Former Self
06. Hiroshima Mon Amour
08. Burning Car
10. Just For A Moment
The limited edition Exponentialism EP is also now available and includes 4 tracks recorded by I Speak Machine and Gazelle Twin. These beautifully executed cover versions strongly relate to their own work as well as exploring John Foxx’s themes and ideas.
01. My Sex (I Speak Machine)
02. I Want To Be A Machine (I Speak Machine)
03. Never Let Me Go (Gazelle Twin)
04. He’s A Liquid (Gazelle Twin)
Rhapsody and Exponentialsm are available as individual items or as a discounted multi-buy HERE
John Foxx & The Maths recently remixed a collaboration between Items & Things label boss Marc Houle and Grenoble born techno/electro legend Miss Kittin. According to Kittin: “When Marc told me John Foxx would do a remix, I couldn’t believe it, like back to the roots. It’s exciting to hear a new wave legend can bring his punk touch to a minimal modern track, when our passion for analog synth and irony merges together!”
The 6 track EP “Where is Kittin?” iS available HERE
The new re-issue is available HERE
‘A brilliant contribution to the archaeology of electronic music’ – Brian Eno
20 tracks made on 20 synthesisers spanning 20 years, accompanied by 60 page colour book with a foreword by Robin “Scanner” Rimbaud, Twenty Systems is Benge’s acclaimed concept album, first released in 2008.
His tenth solo album, this ambitious project combines an audio CD of new music with a hardbound full colour book containing photos and diagrams of the electronic instruments used, along with a detailed history documenting the development of synthesisers between 1968 and 1988. Each track is the pure sound of an individual instrument, with no additional processing, sequencing or effects applied to any of the recordings. If a system was equipped with an in-built sequencer, it was used, and there are several examples of sound-on-sound processes, where a track is made up of multiple layers of the same synthesiser recorded in parallel. To put it simply, Benge lets the instruments speak for themselves and influence the way each piece is composed.
‘Indicates what a deliriously desirable thing the synthesis of sound has historically been’ – The Wire
‘Absolutely cast iron irrefutable proof that synthesisers are better than guitars’ – Vice Magazine
John Foxx & The Maths are playing a headline show at Brighton’s Concorde 2 on 7 June, 2013. Tickets are available for sale HERE
(Photos by Mike Cooper)
John Foxx And The Maths are pleased to announce they will be joining Orchestral Manoeuvres In The Dark as special guests on their forthcoming (and appropriately titled) English Electric Tour.
April 28 Margate Winter Gardens
29 Birmingham Symphony Hall
May 1 Nottingham Royal Centre
2 Ipswich Regent Theatre
3 London Roundhouse
5 Bristol Colston Hall
6 Oxford New Theatre
8 Sheffield City Hall
9 Leeds Academy
10 Manchester Academy
12 Glasgow Royal Concert Hall
13 Gateshead Sage
14 Liverpool Empire
John Foxx And The Maths remix of OMD’s `”Dresden’ single:
Foxx has been experimenting with electronics since the 1970s when he worked with the likes of Brian Eno and legendary Krautrock producer Conny Plank in the original line-up of Ultravox, described by Gary Numan as ‘the blueprint for my first two or three albums.’ Jim Kerr remembers early Ultravox gigs as a vital inspiration for Simple Minds, while ’90s innovators Leftfield were influenced by the band’s pioneering mix of punk and electronics. They discussed using Foxx’s ‘cinematic sci-fi vocals’ as one of their collaborations and although this didn’t happen ex-member Paul Daley is currently working on new material with Foxx.
Launching his solo career with the icily minimalist Metamatic (fans include Aphex Twin and Afrika Bambaataa), Foxx has released 26 studio albums to date. In 2011 he returned to his analogue synthesizer roots with the critically acclaimed Interplay – the first album with Benge from The Maths. Their debut was swiftly followed by the more personal-edged The Shape Of Things in 2012 and they’re set to release their latest album Evidence on 25 February 2013. Arguably their darkest so far, the record features collaborations with contemporary artists Matthew Dear, The Soft Moon, Xeno & Oaklander, Tara Busch and Gazelle Twin.
In addition to John Foxx and Benge, the line-up for the English Electric shows will feature Hannah Peel on keyboards and violin.
Expect a set list mixing recent songs ‘Evergreen’, ‘Catwalk’ and ‘Evidence’ with cold gems from Foxx’s solo career including ‘Burning Car’, ‘He’s A Liquid’ and ‘Underpass’.
For more information please visit HERE